Kelly Clarkson offers her two cents on record label CEO's defense o...

February 4, 2010 |  2:26 pm

The Taylor Swift Grammy Awards hoopla -- the one concerning her pitchy performance, not the four trophies she took home Sunday night -- simply will not die down, and now the original "American Idol" Kelly Clarkson is taking issue with comments that Big Machine Records Chief Executive Scott Borchetta made in Swift's defense.

Kelly took to her blog after Borchetta declared, "This is not 'American Idol.' This is not a competition of getting up and seeing who can sing the highest note. This is about a true artist and writer and communicator. It’s not about that technically perfect performance.”

Here's her take that response:

Wow …..Dear Scott Borchetta,

I understand defending your artist obviously because I have done the same in the past for artists I like, including Taylor, so you might see why its upsetting to read you attacking American Idol for producing simply vocalists that hit ‘the high notes’. Thank you for that ‘Captain Obvious’ sense of humor because you know what, we not only hit the high notes, you forgot to mention we generally hit the ‘right’ notes as well. Every artist has a bad performance or two and that is understandable, but throwing blame will not make the situation at hand any better. I have been criticized left and right for having shaky performances before (and they were shaky) and what my manager or label executives say to me and the public is “I’ll kick butt next time” or “every performance isn’t going to be perfect” ……I bring this up because you should take a lesson from these people and instead of lashing out at other artists (that in your ‘humble’ opinion lack true artistry), you should simply take a breath and realize that sometimes things won’t go according to plan or work out and that’s okay.

Sincerely,

One of those contestants from American Idol who only made it because of her high notes

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Wow, great analogy!
What do you call it when the banjo hits the dumpster?

Perfect Pitch!

MAB
How do you tune a banjo?



No one knows yet.
A ban-what? :)
OUCH!! Kelly wasn't playing....
How do ya get 2 fiddle players to play in tune?

Shoot one of 'em!
Hey Hank Williams , did not have a great voice, but we all remember him, Country singers in general are not great singers.

The guys all sing up their noses, and that's what the Country Fans, Want,but singing it aint in the true sense of the word.

Cosidering the poor standard of recordings up to sixty's I've never heard a female voice that can touch "Crazy" by Patsy Cline. She didn't need auto tune , multi tracking, and layering.

Taylor appeals to the young in general, nothing wrong with that, I hate the comments by these old wingers, who single out one performance, with some pitch problems.

Taylor is a breath of fresh air, in a profession full of winging old farts, and has beens.

Cheyenne.
Horse = Dead. Must we continue to beat it?

Next subject please.... :)
I've been out of town but I feel that I MUST comment on this post - it's wrong on so many levels...

To start with, by what standard are you judging Hank William's voice? I consider it to be a great country voice - one that defined the genre for a couple of generations of country fans. For that matter, sayng that 'country singers in general are not great singers' mostly suggests to me that you haven't listened to much country music. I would strongly suggest that you go out and buy (or download, if that's the way you listen to music) music by Jim Reeves, Faron Young, Ray Price, Connie Smith, Tommy Duncan, Lefty Frizzell, Steve Wariner, Lee Roy Parnell, Vince Gill, Trisha Yearwood - dozens of singers come to mind from the last 60 years who were (and in many cases, still are, great singers. And though you put Patsy Cline on a pedestal, you don't seem to be familiar with dozens of other great female vocalists of the past and present; Cindy Walker, Patsy Montana, Lynn Anderson, Janie Fricke, Emmylou Harris, Ronstadt (when she was singing country songs)... Though I'm not particularly enthralled with the material they typically choose to sing (I'm not, after all, part of the target demographic), Martina McBride, Carrie Underwood and Gretchen Wilson can (and do) sing their patooties off.

And if you think that recording production standards were lower before the 1960's, you desparately need to pick up some records by Ella, Sarah Vaughan, the Basie Band, Sinatra, Rosemary Clooney - almost any big band record from 1947 on. You haven't been paying nearly enough attention to the sound of those old recordings either. Sure - a lot of Nashville's records didn't measure up to the high standards available at the time, but listen to the music produced by Chet Atkins, Owen Bradley or Billy Sherrill; there are some GREAT sounding Nashville records from that era.

Most of us are NOT singling out one Taylor Swift performance - EVERY performance I've seen on television was that bad. And though her recorded vocals sound much, much better than any of the awards show performances I've seen, I'll tip my hat to the engineers for what they did with what they had to work with rather than suggest that Taylor's voice is a marvel in the studio that simply doesn't translate to live television.
Amen!! Dave Martin, for the win!
Hooray Dave, thanks for saying this...so many singers in town with great chops: and all on pitch, live.
"The guys all sing up their noses?" Where does that come from? Have you ever heard Gary Morris? Steve Wariner? Vince Gill? and the greats Dave mentioned? Some of the great singers of country music in the past have proven that they can transcend the genre. Has beens? Let's shift genres...is Madonna a has been because she is over 50? Is Springstien a has been? Streisand? Was Frank Sinatra a has been?

And I'm with Dave, it is not a single performance with some pitch problems...it is every single live performance I have ever seen, too. That is some marvelous engineering. Money seems to solve much.

But then, I was always the kid at the parade that would say "...but the emperor is not wearing any clothes" The tailors who sewed those clothes (no name pun intended) have pulled off the ultimate muse, and made much money doing so. Well done, they succeeded. It is just that not all of us will pretend to see the clothes that are not there.
Very Well said Chyanne. As an official "Old Fart" I am with you!

MAB

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